Looks Like the Haters Were Wrong About X-Men: First Class
Well it looks like the fans have nothing to worry about in the new X-Men: First Class movie. It seems that the continuity issues, Fox’s bad reputation with making a good Marvel movie, and everything else surrounding the movie, can all be wiped away for this movie. Although a lot of the sites can’t actually review the movie yet, they didn’t hide the fact that the movie was awesome.
If you were nervous the latest chapter in the X-Men franchise might disappoint, I’m happy to report it’s a huge home-run. Everything from the great script to the awesome performances by the entire cast (with special mention to James McAvoy and Michael Fassbender) makes this X-Men film my favorite in the franchise. Also, the film is loaded with incredible action and a ton of Easter Eggs for the fans. Even the sets and costumes are great. Trust me, as soon as the movie is over, you’re going to wish the next chapter was coming out next week.
“X-Men: First Class” is a genuinely good movie, not just a good superhero movie. Big and bold and aggressively told, it feels to me like this is the first film in a brand-new franchise, and even the few very wicked and enjoyable references to Singer’s films that are hidden in this one don’t tie it down. This is ground zero, and I think Fox just got it right, really right, in a way I can’t say it feels like they have on any of their Marvel films so far.
It fits right in with Bryan Singer’s first two X-Men films and is probably the second best film in the series next to X-Men United. And I say that with a certain but of nostalgia for the sequel, as it came out at a time when comic book adaptations didn’t strive to be anything more than popcorn fun. But the more and more I think about it, the more and more I think Vaughn’s film might have surpassed it.
First Class contains some of the briskest and most efficient storytelling I’ve seen in any recent blockbuster. An awful lot happens, and awfully quickly at times, but it’s all clear and while some nice moments might be over in the blink of an eye, this can only reward repeat viewers. … This film does not hang around – and at over two hours of running time, that’s a virtue, because when nothing drags, and the audience don’t get bored, the minutes just whistle by. There are some characters who get short shrift and aren’t allowed the space, or focus, that would have allowed them to really come to life – Riptide and Azazel, definitely, and Darwin, perhaps; and Moira McTaggart sort of fades away for a while, but while she’s around, some of her scenes are great. An amazing amount of the characters are sketched out most deftly. It’s that efficiency again.
“It’s rather pleasing then, that X-Men: First Class takes the series back to its roots, both figuratively, in terms of the character-focused drama, and literally, as we open with an almost shot-for-shot recreation of the beginning of Bryan Singer’s first X-Men film. In doing so, the film makes itself instantly familiar, and also, instantly engaging.” … “Indeed, it is in the treatment of the characters, and their relationships that the film really triumphs.” … “Vaughn’s ability to direct action, and sense of humour run through the film, while the film still feels very much like a part of the world Singer created in his movies.”
X-Men: First Class does not forget what came before, in fact there are nods to it throughout, both fun and terribly sad, but fresh faces have breathed new life into familiar characters and their battle for acceptance has an added touch of humanity.
[If] the supporting cast seem at all weak, thinly-drawn or unfamiliar, then that merely primes the stage for the chess-game between Charles and Erik. This conflict, the result of which is certain from the start, is developed and executed without a hitch, evoking the Star Wars prequels not only in its narrative inevitability, but in how it triumphs where Lucas failed.
And with that, here’s a new clip.
X-Men: First Class hits theaters on June 3, 2011.